Abstract
Natalie Czech's work has explored interfaces between conceptual photography, poetry and everyday objects. In ‘poems’, presented in this issue of CounterText and extracted from a forthcoming work, she presents a lexicon of common computer icons that visually refer to familiar objects while indicating different functionality within computing. The work plays also with semantic slippage and with permutational potential within the captioning provided.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
