Abstract
This chapter considers Perugino’s artistic career and management of his workshops up to the year 1500, with a focus on his Perugian bottega. Special consideration is given to Perugino’s Roman and Perugian periods, and the artists associated with the master particularly at the time of the Sistine Chapel commission in Rome (1481–2), the execution of the San Pietro Polyptych for the eponymous Perugian church (1495–1500), and the fresco cycle at the Collegio del Cambio in Perugia (1496–1500).
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