Pierre Reverdy, Poet of Nausea

Abstract

The image of collapse or implosion which dominates Reverdy's poetry and haunts the climactic section of La Nausée is glossed in the concluding pages of Sartre's novel and in various parts of Camus's Le Mythe de Sisyphe. All three men focus on the experience of the absurd, on the malaise that accompanies the fleeting awareness of the contingency of all things, a feeling that is often triggered by the perception of abrupt decline or dissolution. This existentialist malaise or nausea, which terrifies Sartre's hero Roquentin, is in fact the very stuff of Reverdy's poetry and as such it demoralizes his readers. At the same time, however, Reverdy's poetry is deeply satisfying. Its ultimate appeal can perhaps best be understood in the light of Roquentin's final decision to face up to his nausea and to purify it in a lasting form such as a work of literature. It is precisely this solution to the problem of the absurd that Reveredy had intuited at the beginning of his career in 1915. Indeed, his life's work as a poet amounts to a sustained effort to confront the absurd and neutralize it in poetic form.