Abstract
Although a good deal has been written about L'Etranger in the light of Camus's philosophic insights in Le Mythe de Sisyphe, the verbal similarities between these two works have been used only sporadically in interpreting the novel. Carl Viggiani, whose essay on L'Etranger appears to have dealt most fully with the symbolic undercurrent of the novel and Meursault's relation to Sisyphus has concentrated almost solely on detached archetypal motifs while largely neglecting any sort of progressive or “novelistic” development of the protagonist as he moves from his mother's funeral to his final jail cell. I propose to demonstrate such a consistent development by viewing Meursault's adventure as a parable of mental awakening or coming to consciousness which corresponds in detailed thematic and imagistic ways to the adventure of the mind in Le Mythe de Sisyphe.
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