Abstract
Three different appropriations of a 1928 photograph from South India allow insights into German anthropology in the 1920s, contemporary German museum practices, and present-day ritual forms in northern Kerala. Juxtaposing these readings as what Edwards named evidential strategies, power of representation, and re-experiencing demonstrates the possibilities and limits of visual representation. The article contributes to a Picturing Culture debate that considers entrenched visual economies of archived photographs, and opts for an understanding of different aspects of cultural knowledge transported through photographs.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
