Abstract
Nicholas Sammond is an assistant professor in cinema studies and English at the University of Toronto. His most recent book, Babes in Tomorrowland: Walt Disney and the Making of the Modern American Child, 1930-1960 (2005), received the Katherine Singer Kovacs Award from the Society for Cinema and Media Studies. He is also the editor of, and a contributor to, the anthology Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling (2005). He is currently working on a study of blackface minstrelsy and the industrialization of early American animation.
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