Abstract

ABSTRACTIn the Euro debt crisis, it is hardly surprising that reciprocal stereotyping is carrying the day in the national media reviving old images of the respective ‘other’. The study asks how covers of German news magazines are shaped by the use of national stereotypes and images when reporting about this crisis. The paper seeks to build a bridge between the seemingly distanced disciplines arts and political science by offering a lean framework for analysis. It uses some cover images taken from two German weeklies and modifies Panofsky's semiotic model revealing traditional stereotypes and images of Greece.

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