Abstract
ABSTRACT Nationalism calls for one’s loyalty and affiliation towards their chosen nation. Various versions of nationalism emphasise that one must prioritise said nation above themselves and their personal ethics, hence, allowing the nation to overpower the nationalist’s individuality. In this article, we use Critical Discourse Analysis to deconstruct the narratives of nationalism as portrayed in two popular films, viz. The Kashmir Files and Uri: The Surgical Strike, which are based on real historical events – the exodus of Kashmiri Hindus and the surgical strike by the Indian Army in retaliation to the Uri attack. Both films use narrative strategies to frame key historical events into certain ideological contexts, and hence they serve the populist purpose of swaying viewers’ opinion in favour of the dominant socio-political class.
Published Version
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