Abstract

This paper delves into the reception and adaptation of Modernism in early 20th-century China, emphasizing the role of Chinese literary magazines and art publications in disseminating Western avant-garde art. Publications such as Eastern Miscellany and Yishu Xunkan played pivotal roles in introducing movements like Post- Impressionism, Cubism, and Futurism. The paper highlights how Chinese literary figures and art critics not only translated Western art terms but also engaged deeply with the philosophical and aesthetic principles underlying these movements. By examining key exhibitions and intellectual discourses, the paper illustrates how the vibrant exchanges within Chinese cultural circles facilitated a nuanced understanding and creative integration of Modernist principles, thereby reshaping China’s artistic landscape.

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