Abstract

La finalidad del presente trabajo es la de analizar dos aspectos de la crítica musical, la perspectiva educativa y la perspectiva analítica. Para llevar a cabo este análisis, el autor tomará ejemplos de los comentarios que recibieron los recitales que brindaron en Buenos Aires los pianistas Ignacy Paderewsky (1911) y José Vianna da Motta (1912), publicados en los diarios porteños La Prensa y La Nación.

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