Abstract
Since the 1980s, especially with the HBO rise, there has been a development of different type of TV series that are designated as the quality TV series in order to be distinguished from the regular TV series. The most important conditions for the creation of the quality TV series are explained, followed by a short resume of the development of Croatian TV series. Furthermore, the paper analyses poetics and politcs of the series The Paper (Novine) and The Success (Uspjeh), with a special attention given to a representation of (peripheral) space. In conclusion, Novine and Uspjeh are recognised as the quality TV. This term is problematized through a perspective of series’ double effect – as both economic and cultural products, with a focus on importance of global interpretive community of contemporary cultural omnivores. Making their own choices, they establish their own cultural and symbolic capital and at the same time construct global TV series canon as well as partially deconstruct dichotomy of the central and the peripheral.
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