Perception evolution of interpretive versions of the symphony for mixed choir a cappella "Strasna sedmytsia" by Svyatoslav Lunyov

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The purpose of the article is to identify the characteristic conditions under which the singer's performance of the same work is improved under different time and professional conditions. The methodology is primarily in the analysis of the conductor's work by the performer, which involves a combination of empirical methods and general scientific methods of analysis and synthesis. An important method of research was the comparative method, which allowed on the basis of comparison on certain parameters to identify features of performing interpretations and perceptions of a musical work. The scientific novelty of the work is in coverage of different conductors interpretive versions by the direct participation of the creative process, not the listener, who evaluates the conductor's work based on the experience, gained while listening to a concert. Conclusions. The practical experience of performing Svyatoslav Lunyov's "Strasna sedmytsia" by different groups and in certain periods of personal professional development allowed to identify the main criteria that influence the interpretative approaches of conductors to the production of this work (the quantitative composition of performers, principles of conductors, chronotopic aspect), which provide quality implementation of the composer's ideas, and identify important aspects of rehearsal and concert performance that influenced personal perception and the performer's understanding of the depth of the music created by the composer.