Abstract
This paper aims to meditate on the originality of Renaud Barbaras phenomenology of perception, as presented in his book Le desir et la distance. Introduction a une phenomenologie de la perception. First of all we will focus our attention on the shadow of major philosophical projects dedicated to the theme namely that of Merleau-Ponty; then we will try to find the main thesis developed by Barbaras, while trying to think what remains to be thought on perception: the connection between perception and vital movement as desire.
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