Abstract
This article proves the film scenario as a literary work, and discusses the role of humor in Nagabonar characters and jokes about the values of the struggle for independence in Asrul Sani's Nagabonar film scenario. The method used is Charles Sanders Peirce's semiotics and the study of humor in a psychological perspective. The results of the analysis obtained based on structural analysis in the perspective of text communication prove that a film scenario is a textual work that can be studied based on the nature of a literary work. And an analysis of humor created and acting as a response or self-defense mechanism to the Nagabonar character, as well as a reversal of the concept and logic of stereotypes of heroism in Indonesia.
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