Abstract

The creative economy industry is currently starting to develop rapidly in some cities in Indonesia, including Kendari City. Although relatively young, the development of the creative economy in Kendari City is supported by the increasing enthusiasm of young people in this industry. Therefore, to support the interests and talents of the people of Kendari City, especially young people, this study aims to create a place in the form of a Creativity Center Building with the theme of Expressionism. This theme is considered in accordance with the existing conditions in this city which can describe the expression of building users which is reflected in the appearance and interior of the building. This research uses qualitative descriptive and quantitative methods. Based on the analysis of location and site determination, this building is planned to be built in Kadia District with a total area of ​​± 4.34 Ha. The design of the facade /in this building is taken from the form of Kalosara which is a symbol of unity and peace from the Tolaki Tribe, as well as from the logo of the Creative Economy Agency. This form is the result of a study of the theme of Expressionism Architecture. The results of the planning of this building are expected to be a reference for the government in creating a place that can support the economy, especially in the creative industry of Kendari City.

Highlights

  • The creative economy industry is currently starting to develop rapidly in some cities in Indonesia, including Kendari City

  • To support the interests and talents of the people of Kendari City, especially young people, this study aims to create a place in the form of a Creativity Center Building with the theme of Expressionism

  • Sejarah Konsep Tata Cahaya, Warna, Tekstur dan Pola Standardisasi Istilah Interior ( Teori Interior)

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Summary

Batasan Pembahasan Batasan pembahasan perencanaan Gedung

Pusat Kreativitas di Kota Kendari dengan menerapkan konsep Arsitektur Ekspresionisme diarahkan pada desain bangunan penggiat seni dan budaya, desain, media dan komunikasi dimana di dalamnya terdapat kegiatan pembelajaran dan fasiltias penunjang. Munandar (2004), merujuk pada aspek dorongan internal dengan rumusannya sebagai berikut: “Inisiatif yang diwujudkan oleh kekuatannya untuk melepaskan diri dari urutan pemikiran yang biasa” d) Product (Produk), yaitu kreativitas adalah kemampuan untuk mewujudkan sesuatu yang baru (Baron, dalam Munandar 2004). Ekspresionis juga didefinisikan sebagai kebebasan distorsi bentuk dan warna untuk melahirkan emosi ataupun sensasi dalam perasan manusia yang biasanya dihubungkan dengan kekerasan atau tragedi. Menurut Erich Mendelsohn dalam penelitiannya menjelaskan bahwa Ekspresionis diuraikan pada kelompok seni dinamik yang di pimpin oleh tiga arsitek, dijelaskan bahwa para kaum simbolis kristalin menempatkan pengalaman simbolik, ideal di atas pengalaman spatial yang nyata, para analis ruang menyadari arsitektur sebagai manifestasi intelektual dari ruang abstrak, dan para analis bentuk berangkat dari persyaratanpersyaratan material yang konstruktif. Untuk mengatasi kelemahan pencahayaan satu sisi, dapat diciptakan pencahayaan multi sisi bahkan dari sisi atas ruangan agar mengurangi daerah gelap

24 PROYEKSI ARSITEKTUR
Analisis Penzoningan
12. Tampilan Rancangan
Terwujudnya penerapan
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