PEER-TO-PEER (POST)AUTHORSHIP

Abstract

The article conceptualizes (post) authorship in the context of the development of contemporary network technologies. The development and specifics of contemporary information technologies are considered, and their impact on culture is determined. It is noted that contemporary technologies change people, social relations, and the nature of cultural production. It emphasizes the importance of cooperation, the network method of interaction, the importance of free access, the principles of freedom in the use and dissemination of information, technologies provided, in particular, by such network systems as Peer-to-peer (P2P). It is from this technological perspective that P2P (post)authorship is conceptualized. The importance of separating the concepts of copyright and author is emphasized, the nature of the change in their functions is determined in the context of the distinction between autonomy and authority. Acceleration of technology development requires constant interaction, co-authorship, which can be implemented on the basis of free access to information. This requires a change in the concept of copyright, which was formed on the basis of private property, which today only inhibits the development of social relations. Along with this, it is important to review the figure of the author, focusing not only on the significance of co-authorship in the production of cultural products, but also on the conceptualization of a kind of multiple, decentralized author or (post)author. At the same time, it is about the significant role of change in the perception of time, emphasis on timeliness and simultaneity of interaction. In such a perspective, private property and copyright lose their usual meaning. The digital, intellectual, cultural author/product goes beyond material production, virtualized as a co-author. Peer-to-peer (post)author is realized through feeding the creativity of others.