Abstract
This article engages in a close analysis of community across the films of Spanish director Pedro Almodóvar. What emerges from this is that while Almodóvar has a strong subversive streak, his films are deeply concerned with questions about how we might live together in the best way possible. Drawing on the feminist ethics of care—with its emphasis on the maternal as an ethical model—and the work of Jean-Luc Nancy, I argue that Almodóvar’s preferred communities are “communities of circumstance,” best conceptualized as dynamic networks of relations that respond directly to the varied needs of their members. Rather than fitting any fixed social boundaries, they emerge organically from lived experience. Ultimately, I conclude that Almodóvar’s films not only offer screen representations of communities of circumstance, but might contribute to our understanding of what it means to live in community in the “real world.”
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.