Abstract
The author of the article focuses on the heteronymous lyrics of the great Portuguese poet F. Pessoa. The differences between the orthonymic and heteronymic lyrics of F. Pessoa are explained with the emergence of heteronymy in his poetry investigated. The author of the article reduces the heteronymy in the lyrics by F. Pessoa to the poems of Alberto Caeiro da Silva, Ricardo Reis and Álvaro de Campos and considers the main features of their lyrics. Along the way, the literary movements invented by F. Pessoa – paulism, intersectionism and sensationalism – are explored. It is concluded that heteronymy was the main means of artistic knowledge of the world in the works by F. Pessoa.
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