Abstract
Abstract ‘Who knew forensic derives from forum?’, Muldoon asks in a recently published poem. His compulsive etymologising challenges audiences to see both the relevance and the irrelevance of etymology to interpretation, thereby accepting that they are the ultimate arbiters of Muldoon’s linguistic forensics. Following an analysis of how audience responses to etymologies are cued in his criticism, this chapter reflects on the connection that seems to exist between etymologising and elegising in Muldoon’s poetry to characterise the effect of what Paula Blank calls the ‘“etymological moment” in contemporary critical practice’ when it occurs in the poetry itself.
Published Version
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