Abstract

Este artículo presenta, mediante el análisis de documentación de archivo, en parte inédita, un análisis del inventario de dote de Gracia de Olazábal y ejemplos de sus actuaciones como promotora y gestora de la casa Idiáquez-Olazábal. El objetivo principal radica en otorgar visibilidad a esta dama guipuzcoana y aproximarnos a sus intervenciones en el patronazgo artístico y en los negocios familiares.

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