Abstract

We have the objective o f demonstrating how the visual elements of a group such as sceneries o f the miniseries - Um so coracao while going through the modem and the modemism thematic modes a historical conception ofthe 'paulistana' identity in a quite paradoxical. Situated in a current condition oftechnological development, with its development and its limits, the Rede Globo de Televisao (a television network) miniseries direction opts and decides for special visual representations. Then, the concem is to show how the narrative encounter the paradox between attempt to create a temporal and spatial anchor to the 'paulistana' identity recall, at the same time that there's a dissoluteness ofthat last in an abstract and virtualized conception.

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