Abstract
In the past two decades, discontent with the exclusions operative in nationalist frameworks of American and Latin American Studies has placed issues of transnationalism, hybridization, and a diasporic view of cultures at the center of attention. As a provisional academic base for this desire to think more globally, scholars have invented a new tradition, so to speak the transnational and burgeoning field of hemispheric American Studies. Thus, the recent collection, Jose Marti’s “Our America”: From National to Hemispheric Cultural Studies, calls for such a change of paradigms. In their introduction, the editors single out Cuba, the birthplace of poet and revolutionary Jose Marti, as a fertile location for their project:
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