Abstract
Abstract: Osaki Midori (1896–1971) left behind only a few literary works before returning to her home in Tottori and falling silent. Yet these few avant-garde texts are now recognized as crucial to the study of Japanese women’s modernist literature. As a woman writer who ignored the strict gender divisions of her time, her works continue to resonate with readers today. The mystery behind her forced return to Tottori and retirement from writing has prompted new attention to her life story, which seems to illustrate the conflict for women between a literary career and family obligations, and the realms she created in avant-garde prose that transcend the bounds of reality.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
