Abstract
This article analyzes the poems Cantar é precise and Eh, Marabá, which have as their theme the Araguaia guerrilla, which are part of a set of poetic texts published in the newspaper Resistência, in February 1979, in Brazil. The analysis considered the historical aspects related to the theme and the identification of the central question: which elements present indicate the framing of the poems in a poetics of resistance.
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