Organizational Methods of Furniture and Their Aesthetic Relationships in Interior Design

Abstract

     Different styles appeared in the design of furniture and its aesthetic organization in the interior space and one of the most prominent styles and movement that emerged in the time of modernity in the year (1914-1880) art novo movement, a French word meaning new art, an international style of art, architecture and design that reached the peak in popularity at the beginning of the twentieth century and characterized by very renewable designs, In 1931-1917, the De Steele movement emerged, and De Steele distinguished itself from others with types of abstract art in the use of geometric shapes and composite constructions. In 1933-1919, the Bauhaus School emerged and is considered one of the most important intellectual methods of supporting modern thought, where it presented in its buildings and the arrangement of its space and furniture organizations a model of simplicity in form, mass and size and the fact that it gives dazzle and beauty, and returns the design to geometric shapes, and in a year(1940-1920) The Art Deco movement emerged as one of the methods of the trend of modernity in design, and then different styles and trends emerged in the mid-1960s and early 1970s and was named after postmodernism, one of its most prominent pioneers Robert Venturi, the famous saying "Less is Bore" that supports chaos and complexity, as opposed to the theory of architect Ms. Van Droh "less is more". In the 20th century, the styles were launched from the movement and contemporary trends and were characterized by many scientific and technological events that had a direct impact on aesthetic relationships in the form of architecture and interior space and then the design of furniture and styles, most notably abstract and dismantling, and pop art. The problem of research lies in the lack of logical vision in the analysis of methods and trends organization furniture and its aesthetic relationship in interior design, which has become contemporary in our time through the introduction of currents and design methods coming without taking into account the suitability of the residential space aesthetically, and the problem of research in its attempt to answer the following questions: How do furniture units contribute to the design treatments of the housing system in embodying the aesthetic and functional dimension in residential interior spaces and upgrading the reality of those spaces? The importance of this research lies in clarifying and clarifying the relationship between furniture units and internal space aesthetically, which is an innovative and complementary relationship that is sometimes carried out without study, so it became important to reach the balance in the aesthetic and creative system and document it to apply it to the design of residential interior spaces. In the time of modernity and postmodernism, furniture has achieved the impact of modern trends and their development from the materials and materials contemporary shown by current technology, most notably art deco and the School of Bauhaus, and Bob Art Art Novo, and furniture is one of the most prominent factors that send intellectual address to realize the aesthetic and functional aspect gives a mental feeling suggesting unity within a homogeneous system, and agrees on all scientific and knowledge rules in space One of the most important influences on contemporary furniture and its formation in the local interior space is cultural and social values, and even if the methods and trends differ, cultural values will not differ in one society, but may vary from one designer to another according to his culture and personal styles, and values may vary from class or social group directed to design work to one class or another.