Abstract
Since the beginnings, the theater is often used for expressions of philosophical thought in the form of direct dialog. With theatrical positions must be concluded that the theater often play a part stands for para-theater operations and assigned to the limit when it became unclear whether this is a theater in general. However, the debate 'for' or 'against' engaged theater looks today more than out of place, since both have a clear opinion confirming the history of theater. If we look at the numerous theories of drama from a wider perspective, the perspective of the media, we immediately see that the theater aesthetics rests on the principles of mass communication, collective perceptions, interactions of the world scene and world audience and evoking event theater professionals can not speak and not to speak, simultaniosly, about the world, society, the collective. It is clear that the dramatic literature has directly or indirectly involved, the nature of its invoices and creative means of expression.
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