Abstract
In this essay I am attempting at a description of the phenomenon of communication and relationship between Federico Fellini and his cinematographers. Their background was Italian neorealism, but they could create unrealistic reality in Fellini’s movies. The most important thing for me was “who was influenced by whom”? Fellini by his cinematographers, or the great DPs by the Maestro. I discuss the neorealistic context of Polish movies too, since the influence of Italian neorealism is noticed in the Polish Film School movies, especially in Andrzej Wajda’s debut.
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