ONCE AGAIN ABOUT SO-CALLED BRODSKY’S «SYLLABICS»
 AND ITS OBJECTIVE CONTEXT – RUSSIAN SYLLABICS
 OF THE LATE XX CENTURY

Abstract

The article considers existing opinion in modern science devoted to Brodsky's about the rhyme in his two poems written in the middle of the 1960s. These poems («The Poetry», «Imitation of Cantemir`s Satires») appeal to the name and word of Cantemir. On the basis of this fact and due to the use of unconventional forms of syllabotonics (dactyl with two caesuras) and tonics (accentual rhyme with a constant clausula), the author often makes a conclusion about syllabic nature of these poems. The author of the article explains the reasons for the error and suggests
 ways of solution. In addition, the context of this error is shown in regular appeals of Russian poets of the late XX century to the memory of the syllabic rhyme and its experiments appeared a bit later. The article presents examples of modern
 Russian syllabics stylized and completely original.