On the Model of “National” and “International” Style (Illustrated by vocalises of S. Pavliuchenko, M. Zavalyshyna, O. and R. Voronin)

Y.M Kaushnian

doi:10.34064/khnum2-13.11

Abstract

On the Model of “National” and “International” Style (Illustrated by vocalises of S. Pavliuchenko, M. Zavalyshyna, O. and R. Voronin)

Highlights

Ukrainian vocal pedagogy represents almost all types of instructive vocalises, which take into account both the specific features of the national vocal school and the individual style of authors and originators
The aspect of national stylistic extends to such a component of vocal style as pedagogy
Vocalization, which lays in the beginning of an academic singer teaching, plays one of the leading roles in understanding the art of solo singing

Summary

Introduction

Ukrainian vocal pedagogy represents almost all types of instructive vocalises, which take into account both the specific features of the national vocal school and the individual style of authors and originators (both composers and performers).The aspect of national stylistic extends to such a component of vocal style as pedagogy. Ukrainian vocal pedagogy represents almost all types of instructive vocalises, which take into account both the specific features of the national vocal school and the individual style of authors and originators (both composers and performers). В українській вокальній педагогіці представлені практично всі різновиди інструктивного вокалізу, в яких враховуються як особливості національної вокальної школи, так і індивідуальний стиль авторів і укладачів (як композиторів, так і виконавців).

Objectives

Results

Conclusion