Abstract

<p><em>Aesthetics is a comprehensive discipline about aesthetic phenomena with diverse and synthetic research methods. Compared with the general humanity disciplines, aesthetic studies pay more attention to perceptual experience, emotional conformity and psychological collision, and requires more cooperation and assistance of empirical science. This paper starts from different cultures under multiple contexts to expound on aesthetic understandings and perceptions from different aspects.</em><em></em></p>

Highlights

  • The existence of aesthetics is very universal

  • The factors causing the differences in the forms of aesthetic theories in different places include thinking mechanism and value tendency of construction, features and functional awareness of multiple contexts, structure and derivative tendency of paradigm and internal spirit of artistic practice

  • We can take advantage of the specific features and functional concepts of Chinese and western linguistic words to analyze the differences in their aesthetic theoretical forms

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Summary

Introduction

The existence of aesthetics is very universal. In a sense, aesthetics, as perceptual display of concepts, refers to the objects and properties that can trigger sensory or five sense organs excitement. The factors causing the differences in the forms of aesthetic theories in different places include thinking mechanism and value tendency of construction, features and functional awareness of multiple contexts, structure and derivative tendency of paradigm and internal spirit of artistic practice. Chinese philosophers hold that humankind is just a part of the world, the product of the universe featuring circulation of creation and transformation, so the subject and the object have to be unified.

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