Abstract
Animated films with Chinese mythology are endowed with the most distinctive ethnic features. With Nezha and White Snake as examples, this paper analyzes their successes in cross-cultural communication strategies in the context of globalization from the perspectives of native cultural elements, narrations on affections, integration of Western cultures, and so forth, accompanied by their predicaments explained in many aspects including cultural differences between China and the West. It has been found that based on the native myths with less global popularity, the key to the effective communication of such film types lies in the cultural similarities, as witnessed by international narrative styles and mainstream emotional values.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
