Abstract
The mini-phototext is a hybrid genre that has only recently caught critical attention. At the confluence between the narration and the description, between fiction and reality, the mini-phototext is a pervasive creative practice in the artistic field and it is less present in the literary one. Through the analysis of some artistic examples—Jean Le Gac, Christian Boltanski and Paul-Louis Leger—and literary examples—Christian Garcin and Jerome Game—I will investigate the forms and dynamics of authorial communication which often comes out of the book and expands into a widespread mediality.
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