Of Patterns and Markets: The Making and Unmaking of Asafo Flags

Abstract

ABSTRACTThis essay focuses on the metamorphosis of asafo flags from layered and complex performative artworks to objets d'art circulating on the international art market and featured in museum exhibitions. While the trajectory outlined is common to many African art objects, the relatively recent history traced in this case study makes it possible to identify the players that have contributed to this specific semantic transformation and reflect on their roles. The increased international visibility of asafo flags on the one hand affected the monetary value of these objects on the market, on the other, generated interesting creative feedbacks on the local and global art scene. By connecting these two spheres of circulation and value the essay challenges a dichotomic understanding of African art objects and argues for more layered and complex object biographies.