Abstract
The first train line connecting St. Petersburg with western Europe opened in 1862, providing the occasion for Fedor Dostoevskii and Nikolai Leskov to take positions in regard to train travel, cultural traffic, and Russia's insertion into modernity. Anne Dwyer's analysis of Dostoevskii'sWinterNotes on Summer Impressionsand Leskov's “From a Travel Diary” reveals an essential paradox. While Leskov is eager to foster the railroad, he switches hats with ease and offers pragmatic performances of an imperial identity based on his competency in the languages of the borderlands. In contrast, the nationalist Dostoevskii fulminates against train travel yet explores the ways in which modernity's onset changes human experience and literary possibilities. Their bifurcated yet equally ambivalent responses to modernity as emblematized by the railroad illuminate the diversity of attempts to articulate a Russian identity in relationship both to Russia's own people(s) and to western Europe in the modern age.
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