Abstract
This article discusses the interactions of a group of Australian Aboriginal people with museum-based artefacts and photographic images, and their re-connection to these materials inside and outside the museum setting. Themes of connection and agency relating to these materials were invoked in the process. The complex social biographies of some objects mean they are at times discussed as having agency, or interpreted as being culturally perceived as such. In the case detailed here, the affect expressed in responses to a variety of objects indicates different interpretations. The discussion therefore considers the logic of connection expressed in Aboriginal ontologies to argue against ideas of the agency of objects. It is instead suggested that the meaning invested in them is related more to their material qualities and the contexts in which they are perceived. This consideration is grounded in a discussion of a collaborative project between researchers and Aboriginal people in which these matters arose.
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