Abstract
This article aims to discuss the relationship between poetry and prose in the works of Abdias Nascimento. The analysis focuses on some audio recordings made by the author months before the publication of Axés do Sangue e da Esperança. (Orikis), his first book of poetry. Those readings stress some discursive and colloquial core aspects of his poems. Neither prose poems nor poetic prose, the recorded readings place the poems between one form and other, creating a sort of oratory poetry that, through declamation, takes part in both poetry and prose values.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
