«Nude Vita» of the Post-classical Regression of the Culture Industry and Retrocausal Reversibility

Abstract

The article examines the phenomenon of Western visual practices known as “nude vita.” Using the example of landmark nu-projects, the author analyzes socio-philosophical criticism of cultural-industrial post-classical regression by independent Ukrainian and international scholars who study the entropy of contemporary artistic experience. The researchers discussed emphasize the need for an immediate revision of the self-destructive art episteme of postmodernism and the return to social and individual creative consciousness of the essential reflection as a stratagem of transcendental aesthetics. As an additional argument in favor of the validity of such academic criticism, the article draws on the ideas of the modern quantum-mechanical theory of retrocausality, which highlights the importance of the historical-temporal integrity of cultural memory, since the causal effect of temporal reversibility on a subtle spiritual and intellectual level can change the past states of systems through the transformation of future events, which plays an important role in the cultural and artistic context of the here-and-now nation-building.