Abstract
The article focuses on the features of the artistic space of E. Khamar-Dabanov's work: the functional originality of folklore “inclusions”, the special mentality of the environment where the actions unfold, ethnic details, the folklore aesthetics which “highlighted” in the composition. The novel-pamphlet represents the modern author's epoch, certain persons and concrete facts: the prose writer tries to “eradicate”, eliminate or skilfully circumvent the elements of artistic fiction. The idea of including objective pictures of the conduct of the Caucasian war is represented.
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