Abstract
The methodological foundations of the scientific research of the famous Dagestan scholar – literary critic, academician G. G. Gamzatov are considered. It is noted that the cultural and aesthetic experience of mountaineers accumulated by generations is translated in the works of G. G. Gamzatov into theoretically based concepts that affect the processes of development of the multinational artistic system of Dagestan in the pre-October period. These concepts, based on the cyclical paradigms of humanitarian knowledge, build a sequence of semantic dominants that have ensured not only the national identity, but also the spiritual community of the Dagestan peoples.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Herald of the G. Tsadasa Institute of Language, Literature and Art
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
