Notes on Contributors

Abstract

Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePhillip Bloom is assistant professor of East Asian art in the Department of Art History at Indiana University, Bloomington. He specializes in the history of Chinese Buddhist art and ritual, particularly of the Song dynasty (960–1279). He is currently completing a book manuscript on the visual culture of Song Buddhist ritual, tentatively titled Nebulous Intersections: Ritual and Representation in Chinese Buddhist Art, ca. 1178.Diana Cordileone is professor of history at Point Loma Nazarene University in San Diego. She studied in Germany at the University of Erlangen-Nuremberg before completing her PhD at the University of California, San Diego. She specializes in European cultural and intellectual history, teaching courses in nineteenth- and twentieth-century Europe and imperialism. Her research and writing concentration is on fin-de-siècle Vienna and the Austrian administration of Bosnia-Herzegovina before World War I.Luc Deitz was from 1990 to 1992 a Frances A. Yates Fellow at the Warburg Institute, where he subsequently also held a British Academy Postdoctoral Fellowship. From 1995 to 1997, he was an Alexander von Humboldt Fellow in the Department of Classics at the University of Heidelberg. He currently is curator of manuscripts and rare books at the National Library of Luxembourg and Professor Extraordinary of Medieval and Renaissance Latin at the University of Trier.Robert Flierman received his PhD from Utrecht University in 2015. He is currently an assistant professor in medieval history at Radboud University Nijmegen. His research interests include barbarian identity and early medieval historiography. His first book, Saxon Identities, 150–900 AD, appeared in 2017 with Bloomsbury Academic.Edward Grasman is affiliated with the Centre for the Arts in Society at Leiden University. He studied art history at Utrecht University and received a PhD from Leiden University. His publications are mostly concerned with historiographical problems from the sixteenth century onward in the fields of Italian and Netherlandish art. Presently he prepares a book on the history of the Netherlands Institute for Art History in The Hague.Devin Griffiths is assistant professor at the University of Southern California, where he specializes in nineteenth-century literature and science. Central to his research is the question of how literary form shapes our experience of time and natural systems. His work on this subject has appeared in various journals, including English Literary History, Studies in English Literature, and Book History, and his first book, The Age of Analogy: Science and Literature Between the Darwins, was published in 2016 by Johns Hopkins University Press.Sjang ten Hagen is a PhD candidate at University of Amsterdam’s Vossius Center for History of Humanities and Sciences. His main focus is on interfaces between humanistic and scientific disciplines in nineteenth-century Germany. His doctoral research is part of the project “The Flow of Cognitive Goods” (www.flow.humanities.uva.nl). In 2016, he obtained a master’s degree in history and philosophy of science from Utrecht University.Julia Kursell is professor of musicology at the University of Amsterdam. Previously, she worked as research fellow at the Max Planck Institute for the History of Science, Berlin, and as assistant professor of Slavic literature at Munich University. She served as coeditor for “Music, Sound, and the Laboratory from 1750–1980” (Osiris 28 [2013]) and the Isis (106, no. 2 [2015]) focus section “The History of the Humanities and the History of Science.”Richard van Leeuwen teaches Islamic studies at the University of Amsterdam. His main research fields are Arabic literature, the history of orientalism, religion and Mediterranean travel, and the Hajj. His publications include Waqfs and Urban Structures: The Case of Ottoman Damascus (Leiden: Brill, 1999) and (with U. Marzolph) The Arabian Nights Encyclopedia (Santa Barbara, CA: ABC-Clio, 2004). Forthcoming are The Influence of the Thousand and One Nights in 20th-Century Fiction and Narratives of Kingship in Eurasian Empires, 1300–1800.Mats Malm is professor of comparative literature at the University of Gothenburg. His main fields are early modern and medieval Scandinavian literature and culture as modeled on the heritage of antiquity, not least the reception of poetics, primarily that of Aristotle.James McElvenny is an intellectual historian who specializes in the history of linguistics. He completed his doctoral studies at the University of Sydney in 2013 with a dissertation on C. K. Ogden and his milieu. Since 2015, he has been an Alexander von Humboldt Postdoctoral Fellow at the University of Potsdam, where he has been working on a project on Georg von der Gabelentz.Dirk van Miert is assistant professor of early modern cultural history at Utrecht University. He specializes in the history of knowledge, in particular the Republic of Letters, the history of universities in the Dutch Republic, and the relation between philology and natural science. He was one of the two editors of The Correspondence of Joseph Scaliger (8 vols., 2012). His next monograph, The Emancipation of Biblical Philology in the Dutch Republic, 1590–1670, is due to appear with Oxford University Press.Bram van Oostveldt is a postdoctoral researcher at Leiden University. He explores the influence of the sublime and related concepts on theatre and spectacle in Louis XIV’s France, as part of the ERC project “Elevated Minds.” He is also assistant professor in theatre studies at the University of Amsterdam, where he focuses on spectacle, visual culture, and social identity nineteenth-century Belgium. He has published widely on late eighteenth-century drama and performance and on nineteenth-century spectacular culture in Belgium.Jonathan Service is the Okinaga Junior Research Fellow in Japanese Studies at Wadham College, University of Oxford. He completed his doctorate at Harvard University in the Department of East Asian Languages and Civilizations with a secondary field in the Department of Music. He studies the history of music theory in Japan and East Asia and is completing his first monograph, Orchestrating Modernity: Music and the Nation in Japan.Ivahn Smadja is Maître de Conférences in the Department of History and Philosophy of Science at the University of Paris 7. His research focuses on the history of mathematics. His recent publications include “Sanskrit versus Greek ‘Proofs’: History of Mathematics at the Crossroads of Philology and Mathematics in Nineteenth-Century Germany” (Revue d’Histoire des Mathématiques 21, no. 2 [2015], 217–349) and “On Two Conjectures that Shaped the Historiography of Indeterminate Analysis: Strachey and Chasles on Sanskrit Sources” (Historia Mathematica 43, no. 3 [2016], 241–87).Benjamin Steege is assistant professor of music at Columbia University. He studies the intellectual history of music in the nineteenth and twentieth centuries, with emphasis on intersections with the history of science. His research has been supported by fellowships from the Alexander von Humboldt Foundation, the National Endowment for the Humanities, and the Radcliffe Institute for Advanced Study at Harvard University. His book, Helmholtz and the Modern Listener (2012), won the Emerging Scholar Award from the Society for Music Theory.Selene Maria Vatteroni holds a PhD in Italian philology from the Scuola Normale Superiore. After producing a critical edition of the Trecento Florentine poet Ventura Monachi (Pisa, 2017), she is currently Humboldt-Fellow at the Freie Universität Berlin, where she leads a project on the Cinquecento Florentine poet Benedetto Varchi. Her research interests include Renaissance poetry, Italian lyric tradition (with special focus on the phenomenon of Petrarchism), Florentine Platonism, and intersections between poetry/poetic theory and arts/art theory.Daniel Walden is a PhD candidate in music theory at Harvard University. His work investigates the relationship between music theory, acoustical technologies, and global politics during the nineteenth century. He received the MPhil in music studies with distinction at University of Cambridge, where he was a Gates Cambridge Scholar, and his articles have appeared in various journals, including Early Music History, Greek and Roman Musical Studies, and Music Theory Online. Daniel is also a pianist and a Leonore Annenberg Young Artist Fellow.Thijs Weststeijn is professor of art history before 1850 at Utrecht University. He is interested in art historiography, heritage studies, the “Global Baroque,” and the history of Oriental studies. He chairs the research project “The Chinese Impact: Images and Ideas of China in the Dutch Golden Age” (2014–19).Joris van Zundert is senior researcher and developer in humanities computing and digital humanities. He is based in the Department of Literary Studies at the Huygens Institute for Netherlands History, a research institute of the Royal Netherlands Academy of Arts and Sciences. His research interest is computational algorithms for the analysis of literary and historic texts and the nature and properties of humanities information and data modeling. Previous article DetailsFiguresReferencesCited by History of Humanities Volume 2, Number 2Fall 2017 Sponsored by the Society for the History of the Humanities Article DOIhttps://doi.org/10.1086/693342 © 2017 by Society for the History of the Humanities. All rights reserved.PDF download Crossref reports no articles citing this article.