Abstract
The paradox of The Trouble with Harry: While Hitchcock dubbed it an exercise in “understatement,” the film turns on the hyperbolic insistence of the corpse at its center. Contravening the unmoved narrative and indifferent or irritated characters, the movements of cinematic form alone propose an ethical stance towards the dead.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Similar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.