Abstract

This article examines the literary elements of the French reality TV show Koh-Lanta. Drawing on the theory of reality TV, it demonstrates that this literary dimension facilitates the incorporation of neo-imperial elements. Koh-Lanta inscribes itself in the diversity of the intertext of the island fantasy, keeping the myth of Robinson up to date.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call