Abstract
ABSTRACT The notion of ‘regional’ economic growth through the creative industries is rendered problematic by the socio-geographical complexities that characterize them. Addressing an important conceptual and empirical deficit in our understanding of the creative industries at and beyond the regional level, this paper develops a novel and detailed examination of the music economy in North West England. Uncovering a significant disconnection with the mainstream industry in London – an obligatory point of symbolic validation and passage to wider markets – it is argued that policy is required to support professionals in developing socio-spatial networking strategies to cope with their disconnected status.
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