Abstract

The Algerian War (1954–62) has had a lasting impact on Arabs living in France since the First World War, whether they are Algerians or not. This article focuses on North African immigrants and ethnic minority lived experiences using Les Mohamed by Jérôme and Une Famille nombreuse by Chadia Chaibi , two graphic narratives that depict the North African immigrants’ contribution to a more diverse French history and the family/communities’ memories. Throughout this article, I analyse the various framing strategies used in Les Mohamed and Une Famille nombreuse that seek to change French readers’ perception of the North African identity and ultimately speak against the myth of cultural assimilation. By telling personal stories, Ruillier and Loueslati succeed at creating a collective memory that promotes a discourse in favour of integration. By designing his characters in a minimalist fashion, Ruillier combats existing stereotypes and invites his readers from diverse backgrounds to identify with the characters. By using humour and metatextual comments from her siblings, Loueslati emphasizes the diversity of immigrant and second-generation experiences. Using those framing strategies, both authors expose the normalcy of mistreatments and discrimination towards immigrants and their descendants in France.

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