Abstract

It is widely believed that the frequency selectivity of the auditory system is largely determined by processes occurring in the cochlea. If so, musical training would not be expected to influence frequency selectivity. Consistent with this, auditory filter shapes for low center frequencies do not differ for musicians and nonmusicians. However, it has been reported that psychophysical tuning curves (PTCs) at 4000 Hz were sharper for musicians than for nonmusicians. This study explored the origin of the discrepancy across studies. Frequency selectivity was estimated for musicians and nonmusicians using three methods: fast PTCs with a masker that swept in frequency, "traditional" PTCs obtained using several fixed masker center frequencies, and the notched-noise method. The signal frequency was 4000 Hz. The data were fitted assuming that each side of the auditory filter had the shape of a rounded-exponential function. The sharpness of the auditory filters, estimated as the Q10 values, did not differ significantly between musicians and nonmusicians for any of the methods, but detection efficiency tended to be higher for the musicians. This is consistent with the idea that musicianship influences auditory proficiency but does not influence the peripheral processes that determine the frequency selectivity of the auditory system.

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