Abstract
Abstract Performance-based processes can play a cultural role in interrogating socio-political and economic dimensions of conflict within communities. In this article, elements of Nhimbe/ilima performances are analysed and used to demonstrate how the cultural practice was appropriated into a theatre for development project addressing a conflict that was essentially a struggle for resources. This was achieved through creating artistic processes which used the Nhimbe/ilima practice within a sociopolitical and economic framework. In subjects such as peace building, it is essential to use the vast potential of performance to empower people with skills, to enable them to, and to create opportunities for them to practice conflict resolution. Peace building is hardly an abstract practice. Rather people learn to coexist and they can be empowered to do so by participating in performance based activity. Furthermore, peace building processes should also take into cognisance peoples’ indigenous knowledge systems and modes of communication so that interventions are meaningful and acceptable to them. The study also demonstrates how building upon people’s cultural heritage ensures continuity, fosters self-sufficiency and sustainability.
Published Version
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