Abstract

Black feminist writing has alerted us to the interplay of racial and gender identity within the black liberation movement of the 1960s and 1970s. Elaine Brown's A Taste of Power: A Black Woman's Story permits investigation of these interpersonal and intrapsychic dynamics in the instance of the Black Panther Party. Of special interest is the complex role played by masculine introjects in Brown's struggle for individual and collective self-definition.

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