Abstract
History constantly alternates between periods when the general, the universal, and the non-national, and then the specific, the local, and the unique become relevant. The most striking example of the change of such eras was the boundary between the Enlightenment and Romanticism: during this period, faith in the universality and generality of reason, the desire for the universal, and the rejection of traditionality gave way to a passion for ethnic uniqueness, emphasizing the special significance of the peculiarity, emotionality, and beauty of ancient folk history. The article describes the new Russian style and examples of its implementation in various forms of culture.
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