Abstract

Abstract Focusing on Anglophone West Africa, particularly Nigeria and the Gold Coast (Ghana), this article analyses the historiography of World War Two, examining recruitment, civil defence, intelligence gathering, combat, demobilisation, and the predicament of ex-servicemen. It argues that we must avoid an overly homogeneous notion of African participation in the war, and that we should instead attempt to distinguish between combatants and non-combatants, as well as differentiating in terms of geography and education, all variables that made a significant difference to wartime labour conditions and post-war prospects. It will show how the existing historiography facilitates an appreciation of the role of West Africans in distinct theatres of combat, and examine the role of such sources as African war memoirs, journalism and photography in developing our understanding of Africans in East Africa, South and South-East Asia, and the Middle East. More generally, it will demonstrate how recent scholarship has further complicated our comprehension of the conflict, opening new fields of study such as the interaction of gender and warfare, the role of religion in colonial armed forces, and the transnational experiences of West Africans during the war. The article concludes with a discussion of the historical memory of the war in contemporary West African fiction and documentary film.

Highlights

  • Focusing on Anglophone West Africa, Nigeria and the Gold Coast (Ghana), this article analyses the historiography of World War Two, examining recruitment, civil defence, intelligence gathering, combat, demobilisation, and the predicament of exservicemen

  • It will show how the existing historiography facilitates an appreciation of the role of West Africans in distinct theatres of combat, and examine the role of such sources as African war memoirs, journalism and photography in developing our understanding of Africans in East Africa, South and South-East Asia, and the Middle East

  • The article concludes with a discussion of the historical memory of the war in contemporary West African fiction and documentary film

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Summary

Introduction

Oliver Coates AbstractFocusing on Anglophone West Africa, Nigeria and the Gold Coast (Ghana), this article analyses the historiography of World War Two, examining recruitment, civil defence, intelligence gathering, combat, demobilisation, and the predicament of exservicemen.

Results
Conclusion

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