Abstract

While research has addressed the ways in which autism is represented in popular culture, in literature and in film, this article points to how autistic cultural assemblages afforded by the unevenly global-digital or globital age act to queer neurotypical communication and media ethics more broadly. The article argues that evidence points to the emergence of new human communication ethics that embraces neurodiversity and that values the sensorial, perceptual, cognitive and communicative variety of human meaning making as well as including the communicative affordances of non-human persons and our environment. . Since communication and ethics are configured through a culture of ‘normalcy’ this article asks how images about, by and with people with autism invite a reorientation of ethical assumptions about images more widely. How do new kinds of digital images of autistic people made possible through the affordances of the globital age trouble or rather unsettle not only a history of troubled images of autistic people in medicine and popular culture but also ontologically challenge the human-centric and neurotypical bias of communication ethics? The article draws on self-advocacy You Tube videos made by and with autistic people, a campaign video made by the UK’s National Autistic Society, and films as ‘translations’ of a nonverbal autistic world to suggest these unsettle and queer a genealogy and history of troubled images of autistic people .

Highlights

  • ‘What do the waves mean, son of mine?’ says one father of an autistic boy, Jack, as he is filmed on a beach spinning around whilst flapping his hands at the waves of the sea.[1]

  • Human communication and communication ethics are configured through a culture of ‘normalcy’[5] which marginalises those with neurodivergent modalities of communication including autistic people.[6]

  • Building on research that has addressed the ways in which autism is represented in popular culture, in literature and in film[7], this research examines autistic cultural assemblages[8] afforded by the globital age

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Summary

22. Janet Hoskins ‘The Camera as Global Vampire

The Distorted Mirror of Photography in Indonesia and Elsewhere’ in David Picard and Mike Robinson (eds) The Framed World: Tourism, Tourists and Photography pp. 151-165. The Distorted Mirror of Photography in Indonesia and Elsewhere’ in David Picard and Mike Robinson (eds) The Framed World: Tourism, Tourists and Photography pp. See Jose Van Dijck, Mediated Memories in the Digital Age. Chicago. From ‘Bump’ to ‘Baby’: Gazing at the foetus in 4D. Anna Reading Gender and Memory in the Globital Age. Basingstoke, Palgrave. The Neurodiverse and the Neurotypical: Still Talking Across an Ethical Divide. In Ethics and Neurodiversity Edited by C.D Herrera and Alexandra Perry Cambridge Scholars.

31. Ralph Savarese ‘From Neurodiversity to Neurocosmopolitanism
37. Bruno Bettelheim The Empty Fortress
39. Peter Vermeulen Autistic Thinking
48. Olga Bogdashina Sensory Perceptual Issues in Autism and Asperger Syndrome
59. The cultural theorist Eviatar Zerubavel Hidden in Plain Sight
65. Hal Foster Vision and Visuality
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